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Wednesday, October 11, 2017

Alchemical Dictionary A-C

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Ablution
The process of washing a solid with a liquid, usually in water. Spiritually and psychologically, it is facing one’s emotions and letting feelings flow, so that innocence and purity can be restored.

Aion
(see Ouroboros) 

Air 
Air is one of the Four Elements of alchemy. Air in the alchemical sense carries the archetypal properties of spirit into the manifested world. It is associated with the operation of Separation and represented by the metal Iron. 

Alchemy
The word is derived from the Arabian phrase “al-kimia,” which refers to the preparation of the Stone or Elixir by the Egyptians. The Arabic root “kimia” comes from the Coptic “khem” that alluded to the fertile black soil of the Nile delta. Esoterically and hieroglyphically, the word refers to the dark mystery of the primordial or First Matter (the Khem), the One Thing through which all creation manifests. Alchemy, then, is the Great Work of nature that perfects this chaotic matter, whether it be expressed as the metals, the cosmos, or the substance of our souls. 

Alembic
The upper part of a still; a still-head. The term is often used to refer to a complete still. 
(see cucurbute; Distillation) 

Alkahest
The alkahest is the power from Above that makes possible alchemical transformation. The word is usually translated as “universal solvent,” which alludes to the ability of the alkahest to dissolve or reduce all physical matter to its basic essence. With metals, this meant transmuting them to their purest form, which was gold. In the human body, this meant the creation or revealing of a golden body of consciousness, the Astral Body. 

Aludel
A pear-shaped earthenware bottle, open at both ends. It was used as a condenser in the sublimation process and thus came to signify the end-stages of transformation. Also called the Hermetic Vase, the Philosopher’s Egg, and the Vase of the Philosophy. 

Amalgam
The amalgam is a solid metal formed by the combination of mercury with gold, silver, lead, or other metals. angel

An angel in alchemical treatises symbolizes sublimation or the ascension of the volatile principle.

Ankh
The Ankh is a hieroglyphic character used by Egyptian alchemists to denote the ascendancy of the life force or spirit (the circle) over the material world (the cross). In other words, through crucifixion, the soul rises and is reborn on a higher level. Its use dates back over 3,000 years and is a symbolic rendition of the principles expressed in the Emerald Tablet. In its design, the circular One Mind projects downward into the One Thing, while the lateral manifested world on which we are crucified is indicated by the horizontal bar.

Animals
Animals are often used to symbolize the basic components and processes of alchemy. They may be used to symbolize the four Elements such as the lion or ox (Earth), fish or whales (Water), eagles (Air), or salamanders or dragons (Fire). Aerial animals generally indicate volatile principles, while terrestrial animals indicate fixed principles. Whenever two animals are found, they signify Sulfur and Mercury or some relationship between the fixed and the volatile.

Antimony
The metal antimony symbolizes the animal nature or wild spirit of man and nature, and it was often symbolized by the wolf. Alchemist Basil Valentine named the metal, after feeding it to some monks in a Benedictine monastery. The monks got violently ill and some even died, hence the Latin name that means “anti-monk.” Spiritually too, monks feel most threatened by their own animal nature. Oddly enough, the Tincture of Antimony cures venereal diseases.

Apollo
References to the Greek god Apollo signify the Sun as spirit or solar consciousness.

Aqua Fortis
Aqua fortis is Latin for “strong water” and refers to nitric acid. Various grades of aqua fortis were prepared depending on the length of Distillation, which concentrated the acid. 

Aqua Regia
A mixture of aqua fortis (“strong water,” i.e., nitric acid) and spiritus salis (“spirit of salt,” i.e., hydrochloric acid) produces aqua regia (“royal water” — so named because it can dissolve gold). It was first prepared by distilling common salt with aqua fortis. 

Aqua Vitae
The “living water” or water “with spirit.” An aqueous alcohol concentrated by one or more Distillations. 

Arcana
The arcana (“magical secrets”) are archetypal influences that transcend space and time. According to the ancient text Archidoxies, the arcana are pre-existing powers that “have the power of transmuting, altering, and restoring us.” In this view, the arcana are the secret workings of the mind of God, the logos of the Greeks or what the alchemists referred to as the thoughts of the One Mind. In the Tarot, the arcana are represented by symbolic drawings that the reader tries to work with through meditation. In the Cabala, the arcana are represented by the esoteric properties of the letters of the Hebrew alphabet, energies that the cabalist tries to work with in the Tree of Life. In the in the ancient Chinese system of divination, the I Ching, the arcana are represented by the sixty-four trigrams, each with its own properties and influences. The alchemists believed the arcana were expressed on all levels of reality — from chemical compounds to our innermost moods and desires. 

Arcanum Experiment
The early alchemists divided their chemicals into major and minor arcana. The major arcana consisted of the four compounds: Vitriol, Natron, Liquor Hepatis, and Pulvis Solaris. Three out of the four consisted of dual ingredients that were easily separable. Vitriol could be broken down into sulfuric acid and iron. Natron appeared as sodium carbonate and sodium nitrate. Pulvis Solaris was made up of the red and black varieties. Thus, the seven chemicals comprising the minor arcana were: Sulfuric Acid, Iron, Sodium Carbonate, Sodium Nitrate, Liquor Hepatis, Red Pulvis Solaris, and Black Pulvis Solaris. The alchemists believed that these secret chemicals could be combined in the Arcanum Experiment, the single laboratory experiment that would demonstrate the archetypal forces and evolution of the universe. Ideally, such an experiment should succeed on many levels, not only corroborating the deepest philosophical and psychological principles, but also providing concrete evidence of their veracity. The Arcanum Experiment exposed the hidden principles connecting heaven and earth, offering a framework in which to explain both microcosmic and macrocosmic events.

Athanor
From the Arabic word “al-tannur” (oven), the athanor is the furnace used by the alchemists to perfect matter. Built of brick or clay, the athanor usually was shaped like a tower with a domed roof and was designed to keep an even heat over long periods of time. The alchemists considered it an incubator and sometimes referred to it as the “House of the Chick.” Symbolically, the athanor is also the human body and the fire of bodily metabolism that fuels our transformation and the ultimate creation of a Second Body of light. The mountain is a symbol for the athanor, since the perfection of the metals takes place under the guise of Nature within mountains. Sometimes a hollow oak tree is used to symbolize the atanor.

Azoth
The term “Azoth” is formed from the first and last letters of the English alphabet (“a” and “z”), which stand for the beginning and end of all creation — the alpha and omega of the Greek philosophers, the aleph and tau of the Hebrew cabalists. Therefore the Azoth is the ultimate arcanum, the universal spirit of God in all created things. The alchemists believed that the liquid metal mercury carried the signature of this omnipotent archetypal spirit.

– B –

Bain Marie
The Bain Marie is a warm alchemical bath. Chemically, it is a double-boiler in which a container of water is suspended in a simmering cauldron. Psychologically, it is the gentle warmth of emotionally centered meditation used in the Dissolution process. The Bain Marie was named after Maria Prophetissa, a Jewish alchemist who wrote much about the methods and equipment of the Water operations of Dissolution and Distillation. 

Balsam
A balsam is a resinous or waxy semi-solid compound that captures the essence of a liquid medicine or perfume. To Paracelsus, the balsam was the “interior salt” that protected the body from decomposition, and earlier alchemists considered the Balsam of the Elements to be the Quintessence, the result of the Conjunction of alchemical principles. Because of it amalgamating ability, mercury was considered the balsam agent of the metals. In the chemical arcana, Liquor Hepatis mixed with fat or wax was known as the Balsam of the Soul. 

Basilisk
The Basilisk is a symbolic alchemical creature said to have the head of a bird and the body of a dragon. The wingless serpentine animal was hatched from a hermaphroditic cock’s egg and nursed by a serpent. Psychologically, the Basilisk represents the melding of our higher and lower natures in Conjunction, a process that must be continued in the next three operations of alchemy for this “Child of the Philosophers” to become the Living Stone of the fully integrated Self. Biologically, the Basilisk represents the mammalian embryology, the genetic replaying of the stages of evolution within the egg or womb. The Basilisk also has chemical connotations, which probably have to do with a metallurgical process involving cinnabar.

Baths
Baths in alchemy symbolize the Dissolution process in which the metals are cleansed and purified. 

Birds 
Ascending birds indicate the volatilization of compounds or their sublimation. Descending birds indicate the fixation of compounds or their condensation and precipitation. Birds shown both ascending and descending indicate the process of Distillation.

Bezoar
Some chemical compounds, such as sulfur auretum when mixed with either red mercuric oxide or black antimony, clump together inseparably as soon as they are mixed together. The alchemists considered such compounds to be chemical bezoars, which are hard clumps of undigested food or solid balls of hair sometimes found in the intestines. In the Middle Ages, physicians thought the strange mass protected people from poisons and actually prescribed it to their patients. Egyptian priests discovered bezoars during the preparation of mummies and believed the hard balls were magical pills formed by the large serpent in man (the intestines). Some evidence suggests that the Egyptians also looked for a similar pill in the small serpent in man (the brain) and found it there in the form of the pineal gland. This pine-shaped gland is imbedded with tiny crystals of dark melanin, and could explain the Egyptian pinecone emblems and the origin of the caduceus itself. And, in the same way that bezoars were formed in the serpentine contours of the intestines, so was gold formed in the bowels of the earth: gold was considered a mineral bezoar. 

Black Phase
Black Phase

The Black Phase (or Melanosis) is the first stage in alchemy. It phase begins with the operation of Calcination and lasts through the Putrefaction stage of Fermentation. 

Brimstone
(see Sulfur)

– C – 

Caduceus
The caduceus is the magical staff of Hermes, the Messenger of the Gods and revealer of alchemy. The staff is entwined by two serpents representing the solar and lunar forces. Their union is the Conjunction of alchemical principles and their offspring, if it lives, is the Stone. This Stone is represented as a golden ball with wings at the top of the caduceus. 

caduceus

Calcination

The first operation in alchemical transformation. It is denoted by the symbol for the first sign of the zodiac, Aries. 

Ceration
A part of the Fermentation process during which a waxy substance flows from the putrefied matter. This is the Ferment, the precursor of the Stone. Ceration is the softening or mollification of a hard material to change it into a more waxy state; covering with wax or salve. 

Child
A naked child symbolizes the innocent soul. In alchemy, the child is the offspring of the King and Queen, the result of their marriage or union. A child crowned or clothed in purple robes signifies Salt or the Philosopher’s Stone.

Cibation
Cibation is the addition of new material to the contents of the crucible. During Dissolution, it requires adding liquid to the desiccated matter at precisely the right moment. 

Cinnabar
Cinnabar is the bright red ore of mercury sulfide. Known as “Dragon’s Blood,” the roasted rocks emit a thick reddish smoke, as pure glistening mercury oozes from cracks. Psychologically, cinnabar represents the hardened habits and terrestrial marriages of soul and spirit that must be broken asunder in Calcination to free the essences with which the alchemist intends to work. 

Circle
The circle or sphere is symbolic of unity, the One Mind of god. It is mathematically and psychologically an “irrational” experience beyond the duality of reason. 

Coagulation
The seventh and last operation in alchemical transformation is Coagulation. 

Cohobation
A kind of Distillation in which the distillate is poured back into its residue; a method of redistillation. 

Conjunction
Conjunction is the fourth operation in alchemical transformation. It is the coming together of the opposing archetypal forces of the Sun and Moon or the King and Queen. 

Congelation
A loose or temporary Conjunction of opposites; a mixture in which a liquid is gelled or made semi-solid; intercourse. The process is represented by the sign for the constellation of Taurus. 

Copper
Copper is one of the seven metals of alchemy. Copper (and sometimes bronze and brass) is associated with the operation of Conjunction and the element Earth.

Croslet
(see crucible)

Crown

The crown symbolizes the successful completion of an alchemical operation or the achievement of a magisterium. It also signifies chemical royalty or the perfection of a metal.

Crows
Crows are the symbols of the black phases of Calcination and Putrefaction.

Crucible
The crucible is the melting vessel of the alchemists. It is made of inert material such as porcelain and can withstand great heat. Used to liquefy the metals. 

Curcurbite
The lower part of a still, containing the original liquid. It is made of glass or earthenware and was also known as a “gourd” on account of its shape; a receiver. (see alembic; Distillation)

Cupel

A small cup or dish made of bone-ash or other porous and infusible material. Cupellation is the process of heating a substance in a cupel in a current of air, such as done in the refining of silver and gold.

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